In Revelation 17 we are introduced to the enigmatic figure of the Whore of Babylon who sits by many waters. She's riding on a strange, fantastic, Scarlet Beast, which seems the very picture of a symbiotic relationship to me. Who or what do these mysterious figures represent and why are they joined at the hip? Let's take a little ride of our own...
Whores function as sexual substitutes, providers of sexual pleasures without the entanglements of a committed relationship. God means for those experiences to occur only within the context of heterosexual marriage, so prostitution short-circuits the righteous directive of God for an upright life. Throughout the Bible, God applies the sordid concept of prostitution to the sin of serving gods other than him, the one, true God. Substituting the false for the true was an affront to decency and fidelity, and worthy of judgment.
Whores function as sexual substitutes, providers of sexual pleasures without the entanglements of a committed relationship. God means for those experiences to occur only within the context of heterosexual marriage, so prostitution short-circuits the righteous directive of God for an upright life. Throughout the Bible, God applies the sordid concept of prostitution to the sin of serving gods other than him, the one, true God. Substituting the false for the true was an affront to decency and fidelity, and worthy of judgment.
The prophets of the Old Testament, in bringing God's word of rebuke to idol worshipping Israelites, called their sin "harlotry" and "adultery." Instead of living in a committed relationship with the living God and seeking the blessings they wanted and needed from him, idolaters exchanged the true God for one of their own making. God, who could not be managed nor massaged, was jettisoned by the unfaithful and replaced with gods who at least gave the appearance that they could be.
Wonder where they got that idea from?
Idolatry was part of the Devil's hijacking scheme mentioned in my last post. The Devil's plan, from the earliest times in human history, has been to subvert and steal the redemptive promises announced in the protoevangelium. There is a governmental component to his plan-- the Devil wants to rule, and there is a religious component to the plan-- the Devil wants to be worshipped. Until he can manage to get the human race to worship him instead of God, having them worship something other than God would do.
The governmental aspect of the Devil's plan is centered around bringing the Antichrist, the man of lawlessness, into worldwide political dominion (as covered in the last post). The religious aspect is the subject of this post and revolves around the figure of the Whore. Revelation 17 shows both aspects of the Devil's plan linked as part of one overarching strategy by displaying the figures for each together, one riding the other.
The scarlet beast is the Antichrist Scheme, the Whore is the Spirit of Idolatry.
In the Devil's plan to separate humanity from God and to torpedo whatever possibility of reconciliation there might be, his prime strategy has been substitution: the Devil for God, the Antichrist for Christ. In order to achieve that ultimate objective, he had to hijack the promise to Eve (protoevangelium) first. So, deep in the past, at Babylon (ie., Babel), the Devil hatched a substitution plot, where the Whore was offered as a displacement of Eve (or, from the perspective of ultimate fulfillment, Mary).
This was the root of the Mother/Son imagery which is part of ancient idolatrous religion the world over.
Highlighting a few details concerning the Whore may be helpful:
1) She is riding on a scarlet beast, which means that even though she may seem to be in control, she is actually only being carried forth by the Devil's efforts as he wills;
2) She is of Babylon, which means that is where the effort first found traction;
3) She is of Babylon so she will have a Roman connection;
4) She is the mother of all harlotries, therefore the genesis of all idolatry;
5) She is a prostitute which means she has a certain utility that will make her worthless once accomplished;
6) She is the mother, which points to a hijacking of Eve's promise from God;
7) She is the mother of all abominations, which means she is the genesis of practices (in the name of spirituality) that make God gag;
8) She is drunk on their blood of God's holy people, so she is a murderer of and the implacable foe of true believers in Christ.Point #5 comes into especially clear focus in v.16. Even though the Whore represents perhaps the most successful of the Devil's stratagems through time, she actually deflects attention away from him and is thereby hated by him. It makes a lot of sense, for even in our contemporary culture, even the pimp hates the whore.
She is first mentioned in Revelation 14:8 where her fall is announced by an angel. Her evil influence in the world is likened to wine and its effects. Her name comes up again in 16:19 in association with the seventh bowl in which God makes her drink the wine of his wrath, the very picture of poetic justice. So important is she in understanding the unfolding of redemptive history, chapters 17 and 18 form an interlude which takes the reader aside from the flow of prophetic time just to take a deeper look at her. It's necessary, for she is a mystery that cannot be understood by man apart from divine illumination.
It has not been uncommon, since the Reformation, for the figure to be interpreted as the Roman Catholic Church, despite the fact that most of the Reformers did not take the Petrine remark as a reference to Rome. Evidently, the references within the description of the whore were clear enough to them without any other scriptural references. Exactly how clear are they?
In 95 A.D. there was only one city in the entire world that could have fit the description, and since then, no real contenders have emerged. There are only a handful of great cities renown for sitting on seven hills (or mountains): Rome and Constantinople are the most obvious, a case can be made for Jerusalem (but a lame one in my mind). Either of the capitals of the Roman Empire could be made to fit the rest of the description through chapter 18, but Jerusalem doesn't even come close. When Constantinople fell to the Turks in 1453, it ceased being the center of idolatrous worship in all but name only, which leaves Rome standing unassailable as the target of the figure.
That's not the same as saying that the RCC is the whore, but there is a great deal of sense in seeing her that way, especially in light of 18:4-5. I think the whore imagery reaches far beyond the halls of the Vatican, but suffice it to say, I think she knows her way around those halls in the dark!